T2i or T3i
Shadowdare
Member
I'm planning to get a Canon T2i. Does the kit lens have an optical stabilizer? I plan to make lots of videos with it. Sometimes I will be holding it handheld and the filmmaker from DigitalRev doesn't seem to have any issues with holding it by hand.
Will the jello/rolling shutter effect be noticeable if I have steady hands and am walking around?
For making videos, how big of an SD card will I need? A while ago I managed to get 5 hours of video on 5 miniDV tapes with a Canon XHA1 but I'm not sure how big the videos get on the T2i with an SD card.
Also, should I get the T3i instead? I heard I can get the T2i with the manual audio control with the Magic Lantern firmware. I heard that the T3i has less photography features so that's a bummer, but it does have the tilty swivvly screen - is it really useful for making videos?
Will the jello/rolling shutter effect be noticeable if I have steady hands and am walking around?
For making videos, how big of an SD card will I need? A while ago I managed to get 5 hours of video on 5 miniDV tapes with a Canon XHA1 but I'm not sure how big the videos get on the T2i with an SD card.
Also, should I get the T3i instead? I heard I can get the T2i with the manual audio control with the Magic Lantern firmware. I heard that the T3i has less photography features so that's a bummer, but it does have the tilty swivvly screen - is it really useful for making videos?
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As for size, you'd probably have to check what quality and size video you're putting out. On my 5D, I found a couple clips I still have that show 40 seconds of 1080p video at about 200MB, so extrapolate out from there. That's a little over 3 minutes per gigabyte.
I don't know enough about the differences between the T2i vs the T3i, but if you're going to be doing interesting angle videography, the swivel screen will likely help. It looks like the T2i does still have Live View, which will help, but you may find yourself wishing you had the swivel.
Do you know if the kit lenses are any good? I was thinking about getting the body of the T2i (or T3i maybe) only but get the Nikon E 50mm f/1.8 lens with a Nikon to Canon EOS adapter as recommended by someone else. I'm not sure if it has an optical stabilizer though, but here is where I can see with a prime lens that the 600D video crop function would be nice.
Personally, I don't think the 18-55 kit lens is particularly good, but it's probably the cheapest IS you'll get easily. I'm really not sure why you'd get a Nikon 50mm when Canon's nifty fifty 1.8 is one of the most acclaimed lenses available, and doesn't require a mount at all...
It doesn't have IS, but I don't know how much you're willing to spend on a lens, so we'll need that info to give you a good range.
If you're not going to worry about the swivel screen, you might look into getting the 90 degree viewfinder adapter - might help you get some better angles. Not sure what the price comparison is between the adapter or just getting the T3i, though.
The viewfinder adapter, I'm guessing, is probably going to be half the price. I liked the build quality of the Nikon 50mm and it's aperture ring and better focus ring. I personally prefer "bigger" focus rings for videography (the one on the 18-55mm kit stinks) but I haven't even used the Canon one so I don't know.
So I think the T2i body itself is $699 at Amazon's price and originally listing at $799.99. I'm looking not to exceed $950 if possible. An IS lens will be very nice to have for videos.
Looks like Sigma has two that fall into that range:
The 50-200 f/4.0-5.6
Or the 18-50 f/2.8-4.5
On the Canon side, the only one that looks like it applies is the 18-55, the kit lens.
Check the reviews on the Sigma 50-200; I think it looks like a decent starter, and it gives you a lot more range than the 18-55. Obviously not as wide, but you're going to have to decide if it's wide enough for your uses. 50mm on a crop body is closer to 70mm on a full frame, and 70mm on a full frame is just about what your eye normally sees without a camera in front of it.
(Worth noting: Icrontic has both Amazon and Adorama affiliate accounts - if you click the links here and search for and purchase your hardware through them, IC will get a little bit of support for helping you out. If we've been helpful, it'd be appreciated.)
One thing you have to remember is that the IS mechanism in the lenses makes noise (spinning gyros, moving lens elements), which can be picked up by the camera's mic. You may find yourself wanting to turn off IS to get rid of the noise. The amount of noise that gets made depends on the lens. Some are not audible, some are.
If only if I could get a lens like the Canon EF 24-105mm f/4 L. Can I get a shallow DOF with the f/4 lens or would I have to get the f/2.8 or a f/1.8 one? Those Sigmas look nice, f/4 is okay for video but the wider apertures of the other lens looks amazing for photos. I wish I can fit two lens in the budget so I can focus more on photography than videography.
I think I'm leaning towards that 50-200 f/4.0-5.6 lens and it looks like my only options too. What other lens deciding factors do I need to consider? If I'll need all that zooming range and how well it does in low light at that aperture?
As for DOF, it depends more on the distance between your subject and the background. An f/4 will give you nice bokeh if your subject isn't standing with their back against a wall. An f/1.8 can give you nice bokeh even if they're half inside one.
A variable-aperture lens like the 50-200 offers a minimum aperture of 4.0 at 50mm, and a minimum of 5.6 at 200mm. Low light photography depends typically on four things: the slowest shutter speed you can handle without introducing motion blur, the widest aperture you can handle while maintaining the bokeh you want, the highest ISO you can handle without introducing more noise than you want, and how dark you want the final image to end up. I have no idea, however, how these translate to videography, to be honest.
If I were you, I'd pay a little more for a good lens if you can manage it. Good lenses hold their value very well (so they can be resold without too much loss), and a better lens typically gives you much better picture quality improvement than a better body does.
I don't believe Amazon charges tax unless you live in CA, but I could be wrong.
http://dpreview.com/reviews/Canoneos600d/
you might give it a read to see what they have to say.
Since you say good lenses hold their value very well, then I suppose I should just save and pay up a bit more and account for the tax in the budget as well. For which states does Amazon charge sales tax? I believe they do for my state unfortunately.
Also, is the 18-135 the new kit lens? I thought the 18-55 was still the kit.
Another interesting thing is that the Nikon D5100 has been announced. I saw a preview on a website. The 18-55mm Nikon kit lens package is cheaper than the Canon T3i's package by a hundred dollars or so it seems. I wonder if it has manual audio control? I know Nikon has superb image quality.
Maybe it's worth it to wait for that? What would you do? I personally learning towards the Canon T2i still.